For movie fans “sequels,” “prequels” and “reboots” are often looked at as dirty words. The complaint usually goes something like, “Aren’t there any original ideas in Hollywood anymore?” An exception to this criticism is the James Bond franchise. After six actors and 24 movies, fans of the series wait for the next installment with nearly unbearable anticipation and the worldwide box office for these films continues to grow to record heights. After the brilliant “Skyfall,” expectations were understandably high for “Spectre” considering the name of a classic Bond villain was the title of the film. At the same time, is it possible to make a movie as enjoyable as its predecessor? Let’s find out.
After creating chaos and destruction on an unauthorized trip to Mexico City, James Bond (Daniel Craig) is suspended by his MI6 boss M (Ralph Fiennes). M is also facing a shake-up in British intelligence with a new boss, Max Denbigh (Andrew Scott), overseeing a recently merged MI5 and MI6. Denbigh thinks the double-0 program is a relic of the past and wants it discontinued. He also is spearheading a new intelligence sharing initiative involving nine nations. Enlisting the aid of Q (Ben Whishaw) and Moneypenny (Naomie Harris), Bond continues his off-the-books investigation he started in Mexico into an organization that appears to be involved in numerous terrorist attacks around the world. Along the way he meets the widow of a man he killed in Mexico (Monica Bellucci), the daughter of a man that has plagued him since he became 007 (Lea Seydoux) and Mr. Hinx (Dave Bautista), a mountain of a man who doesn’t think twice about killing anyone in his way.
Comparing “Spectre” to “Skyfall” is a bit unfair as the previous film had an unexpected gooey center of emotion with the relationship between Judi Dench’s M and Bond. “Spectre” lacks that humanizing element as this adventure is a more straight-ahead action picture. While there is romance it is more of the love-‘em-and-leave-‘em variety we have grown to expect from Bond. Also, “Spectre” is more of an effort to reboot the mythology of Bond as this is the first time in over four decades the filmmakers have been allowed to make reference to the criminal organization of the title after a long court battle. Connecting events across three previous films that were not necessarily written to be connected might be seen as a stretch to some; however, the references to the previous films are handled mostly visually and it isn’t the kind of distraction it might have otherwise been.
As we’ve come to expect, Daniel Craig is the epitome of detached cool as James Bond. The character is given a few more one-liners than in previous films and Craig is more than up to the challenge of being funny in the face of beautiful women and dangerous henchmen. Craig has been the honest face of James Bond. He looks world-weary, tired and suspecting of everyone he can see. Craig is the Bond I will most miss when his run is over as he is to me the most believable in the role. I know there are those that are fans of Connery or Moore and have been unhappy with every actor chosen to play the part since; however, the difference between those films and Craig’s is so striking they may as well have been about the Revolutionary War.
Now for my issues with “Spectre:” While both Christoph Waltz and Dave Bautista are excellent as Franz Oberhauser and Mr. Hinx respectively, they are criminally underused in the film. I understand keeping your main villains in the shadows of your trailers and TV spots but your antagonists should be front and center in the film. The movie is nearly two and a half hours long and, while I didn’t have a stopwatch keeping track of their time, I believe both Waltz and Bautista are on screen less than most Bond baddies. Bautista has one word in the script but he doesn’t need more as his physical presence speaks volumes. Mr. Hinx has a fight on a train with Bond that seems to have some real danger to it. Perhaps it was the close quarters or Hinx physical domination of Bond that made it seem so personal and perilous. Hinx is a henchman I hope we get to see again. Waltz is charismatic and intense in the role and should have had a greater chance to shine. While he makes the most of his limited time I would have liked to see him more.
The underused villains are connected to my next issue with the movie: The story seems to have been given less thought and in other films. I can’t give too many details for this as I don’t want to spoil the movie; however, there are things I expected to see in the movie, things suggested by history and the plot, that don’t materialize and other aspects that spring from very little. Some characters are dispatched in ways that suggest they may return but don’t. Romances blossom in ways that aren’t supported by events. Plot twists are telegraphed in less than subtle ways. It sometimes feels like the locations and the stunts received a great deal more attention than the story.
As with all Bond films, the cinematography and locations are spectacular. From a Day of the Dead parade in Mexico City to the Spectre headquarters in the middle of the desert, the movie is a travelogue of beautiful scenery shot with remarkable care. Even the interior of a train looks luxurious and inviting when it isn’t being torn apart by a fight between Bond and Hinx. Despite what is likely the dull nature of actual spy work, the Bond films make it look like the ultimate worldwide vacation with the occasional fight to the death thrown in to make it interesting.
“Spectre” is rated PG-13 for language, intense sequences of action, sensuality, some disturbing images and violence. From planes chasing SUV’s to two sports cars tearing through the streets of Rome, there are several action set pieces in the film that might upset the youngest and most sensitive viewers. There are also several fights between Bond and various people. The most intense is the one on the train with Mr. Hinx. There is a scene of torture that isn’t graphic but is troubling. A couple of people get pushed out of a helicopter to their deaths. Bond has two sex scenes but, in traditional Bond style, there is very little nudity. Foul language is scattered and mild.
I liked “Spectre” a great deal; but, it works for the most part as a fairly standard Bond adventure. After the enormous success of “Skyfall” there was very little chance we wouldn’t be a little disappointed by the next installment of the franchise. With all the promise of the title and the expectations of what we might get “Spectre” comes across as somewhat paint-by-numbers when we all wanted a Picasso. All that said, it is still a very good action/adventure movie with some interesting concepts and the promise of another chapter of the story still to be told in what would likely be Daniel Craig’s last time in the tuxedo and sports car of Bond…James Bond.
“Spectre” gets five stars but not without a few reservations.
This week, it’s the end of a franchise, a possible new holiday tradition and a crime thriller all hoping to get your entertainment dollar. I’ll see and review at least one of these films.
The Hunger Games: Mockingjay – Part 2—
The Night Before—
The Secret in Their Eyes—
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