Capt. James T. Kirk (Chris Pine) is in the third year of a five year mission on board the United Federation of Planets Starship Enterprise. The day to day life of traveling from planet to planet, engaging in diplomatic missions and seeing the same faces among the crew every day is beginning to feel monotonous. An opportunity for promotion to Vice-Admiral and taking over operations of the newest starbase named Yorktown has Kirk thinking of a change of direction in his career. First officer Spock (Zachary Quinto) is also considering a change, leaving Starfleet and settling permanently on New Vulcan to help reestablish and repopulate his culture. While docked at Starbase Yorktown a small vessel appears out of a nearby nebula. The sole occupant, an alien named Kalara (Lydia Wilson) says her ship was disabled and crashed on a planet inside the nebula. She managed to escape in an effort to find help. Kirk and his crew are sent on a rescue mission to retrieve any survivors. Electromagnetic emissions from the gas in the nebula make communicating with Yorktown impossible. As they approach the planet, a swarm of small ships numbering in the thousands approach the Enterprise. Moving in a coordinated way, the ships crash into Enterprise, tearing her apart. Some ships are manned and soldiers begin attacking the crew. The leader of this attack is named Krall (Idris Elba) and he is looking for something onboard the Federation ship. Despite all their efforts Enterprise is lost and Kirk orders the crew to abandon ship. Some of the escape pods make it to the surface while others are intercepted by the alien ships and carried off. Kirk figures out what Krall is looking for, a piece of alien technology, and he hides it before abandoning ship. On the surface he runs into Chekov (Anton Yelchin) and the pair begin looking for surviving shipmates. Spock and Dr. McCoy (Karl Urban) wind up inside one of the manned alien ships and manage to take it over but still crash land on the planet with Spock being severely injured. Communications officer Uhura (Zoe Saldana) and helmsman Sulu (John Cho) are among a group of other crew being held captive by Krall and his men. Chief engineer Montgomery Scott (Simon Pegg) was in an escape pod alone but is found by Jaylah (Sofia Boutella) on the surface. She explains her family was killed by Krall’s right hand man Manis (Joe Taslim) but she managed to escape and lives in the remains of a crashed Federation starship named Franklin that went missing over one-hundred years earlier. Krall has a deep hatred for the Federation with plans to exact his revenge…but why?
“Star Trek Beyond” had some goodwill to restore after the less than enthusiastically received “Star Trek Into Darkness.” All the secrecy and misdirection surrounding Benedict Cumberbatch and who he was playing, along with other story issues, left a bad taste in the mouths of fans. This on top of the controversy caused by the first film blowing up the cherished and nearly 50 year old timeline had long-time Trek fans grumbling how the reboot had ignored everything good and important about the original series (or TOS as it is called) and turned it into just another special effect and stunts filled summer popcorn franchise. I can’t argue against any of their complaints and I even share some of them; however, strictly looking at “Star Trek Beyond” as a bit of populist entertainment it is the best of the rebooted series so far.
While there is action and special effect aplenty in the film what makes this movie work best is the relationships between the characters and how they interact under the stress of the situation. The standout of these is Spock and McCoy. These two frequently bicker like an old married couple and nothing changes during their time lost on the planet while trying to keep from being captured. The pair also manages to show a level of caring and respect for one another that turns their trying time into a kind of relationship counseling. While still managing to insult one another in some of the most amusing ways possible, Spock and Bones strengthen their bond as both crewmates and friends.
The script from actor Simon Pegg and writer Doug Jung does a great job of isolating the crew from one another and allowing our main players to explore their relationships on a more intimate level. It turns the film into an examination of the dynamics at work amongst the crew and allows for more heart and humor than one might expect given the situation in which they find themselves.
If the film has an issue it is in the motivations of the bad guy. Krall is all anger and revenge that isn’t very well explained. Even once his reasons and the plot twist (spoiled by an online trailer) are revealed it doesn’t make that much sense. It’s difficult to discuss without spoiling it but Krall has some history with the Federation and feels abandoned by the union of civilizations. His desire is to tear it apart but the reasons given for his hatred and all-consuming thirst for revenge don’t seem to add up to killing millions. Of course we’ve seen what little it takes for someone with a handgun, a rifle or even a truck to decide that as many people as possible must die. Still, Krall’s desire for blood isn’t supported by what’s in his story.
“Star Trek Beyond” is rated PG-13 for violence and sequences of sci-fi action. Phasers and other weapons are fired appearing to at least injure if not kill some background characters. One character has the ability to suck the life out of people, leaving them withered. There’s a rather brutal scene of hand to hand combat between two characters near the end of the film. The swarming spaceships that destroy Enterprise could disturb some younger children. Foul language is very limited and mild.
The death of Leonard Nimoy who played Spock in the TV series and an older version of Zachary Quinto’s Spock in the first two reboot films is handled with a great deal of class and sensitivity while also offering an olive branch to the fans of the original cast. It’s the kind of gesture that buys the new version of “Star Trek” a great deal of goodwill. It also helps that the filmmakers have put together a very entertaining and exciting film. While the good old days of “Star Trek” tackling difficult societal issues is probably long gone (except possibly in the new TV series coming in 2017), looking at all the movies in the series shows none of the theatrical releases was much more than an action/adventure movie set in space. Those that argue against the rebooted “Star Trek” films as just another special effects-heavy popcorn film aren’t wrong; but they’ve never been the heady and socially conscious expressions that the best of the TV episodes were. Fans should just enjoy that a crew with familiar names is traveling the cosmos onboard a ship we’ve dreamed of boarding one day.
“Star Trek Beyond” gets five stars.
This week, maternal comedy, covert action and social media tension are the subjects of new films. I’ll see and review at least one of the following:
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