Secretary of State Charlotte Field (Charlize Theron) has plans to run for President in 2024; however, when former TV actor, President Chambers (Bob Odenkirk), tells Charlotte he plans on leaving office after his first term to act in movies, she moves her ambitions up to 2020. Fred Flarsky (Seth Rogen) is an investigative journalist whose small liberal Brooklyn-based newspaper has been purchased by conservative billionaire media mogul Parker Wembley (Andy Serkis) and Fred quits his job in protest. Fred’s best friend Lance (O’Shea Jackson) takes him on a night on the town to cheer him up. The wind up at a fund raiser for the World Wildlife Fund where Charlotte is also in attendance. Charlotte and Fred knew each other growing up as they lived next door to each other. Fred had a crush on young Charlotte and even kissed her, leading to an embarrassing reaction. Charlotte and Fred talk briefly where they reconnect over their shared past. Wembley is there and Fred confronts him then falls down a flight of stairs. Charlotte wants to add Fred to her staff as a speech writer, much to the chagrin of her assistant Maggie Millikin (June Diane Raphael) who thinks Fred is too big a risk to her fledgling campaign. As they travel and work together, Fred and Charlotte develop an affection for one another that goes beyond friendship and could derail her presidential ambitions.
“Long Shot” asks a great deal of its audience, namely believing Charlize Theron and Seth Rogen are convincing as a romantic couple. While the film takes a few shortcuts to get the pair to fall in love, screenwriters Dan Sterling and Liz Hannah do a good job of building a world where these two could be a couple. They also include some very funny situations and good jokes to smooth the way.
Charlize Theron is amazing in the movie. She comes across as a legitimate and polished government official and she can be very funny. Theron has proven in “Young Adult,” “Tully” and “Gringo” she has the comedy chops to steal any film from her costars and she does that in “Long Shot.” While Rogen has his moments, Theron is given the best lines and delivers them with gusto. A sex scene where she makes requests that shock Rogen’s Fred is a brilliant bit of role reversal that Theron delivers with the proper amount of lust and intensity, so you believe that’s what she wants, and she means to get it.
Theron also has the gravitas to make the scenes of Charlotte carrying out her duties ring true. Her walking through the halls of the White House, going over the schedule with her aides or dealing with a crisis in another part of the world, reminded me of Aaron Sorkin’s “The West Wing,” except when she’s tripping on Molly and having to deal with a third world dictator. That’s more like a Rogen comedy than a Sorkin drama. That scene still works because of Theron and her ability to convincingly play a person on drugs holding it together to get past the emergency while trying to convince everyone else she isn’t high. It’s a scene that could have derailed the whole film, but Theron makes us believe Charlotte is capable and experienced enough to pull it off.
Rogen is mostly playing his usual man-child, but the script plays to that strength and makes the character increasingly self-aware. There are actual moments of growth and maturity for Rogen’s Fred as the story progresses. It’s not the kind of performance that will win any awards, but this is one of Seth Rogen’s better performances.
If the movie has an issue, it’s the high-mindedness of Charlotte. Perhaps I’m too cynical when it comes to politicians, but I simply couldn’t believe a decision Charlotte makes near the end of the film. I won’t give it away, but Charlotte chooses a path that is political suicide and does so for love. Actually, that mostly gives it away, but it’s a rom-com, so you know something along that line has to happen. Anyway, Charlotte’s decision is the kind of thing that wouldn’t happen in real life. It especially wouldn’t have the positive outcome as it does in the film. It’s the kind of thing we would hope our leaders would do, but they don’t.
“Long Shot” is rated R for strong sexual content, some drug use and language throughout. Along with the aforementioned sex scene, we see the outcome of a moment of self-pleasure along with discussions of a sexual nature. Fred and Charlotte take Molly, and at a security check point, Fred empties his pockets showing us he’s carrying several drugs. Foul language is common throughout the film.
Seth Rogen is frequently in films where his character is paired with a woman that is, based on looks alone, out of his league. “Knocked Up,” “Neighbors” and its sequel, “The Green Hornet,” and “Like Father” (a Netflix film), all pair Rogen with very attractive women as his love interest. I suppose this is part of the underdog theme that runs through most of his films, showing even the messy schlub can find happiness with a put-together and attractive woman. It’s just another part of the film that stretches credibility to near breaking point, but the script makes this “Beauty and the Beast” scenario work. It’s a minor miracle.
“Long Shot” gets five stars.
It’s a full slate of films opening this week, hoping you’ve seen “Avengers: Endgame” as many times as you can stand and looking for something different to watch. I’ll see and review at least one of the following:
Pokemon Detective Pikachu—
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