(No video this week as I babbled more incoherently than normal.)
Following his actions in Berlin to support Captain America, Scott Lang (Paul Rudd) is under house arrest for violating the Sokovia Accords. A team of FBI agents swarms his house if his electronic ankle monitoring bracelet gets too far away from the base station. His use of shrinking technology has also gotten Hank Pym (Michael Douglas) and Hope Van Dyne (Evangeline Lilly) into trouble and on the most wanted list but they have avoided capture. Scott, Pym and Hope reunite despite that violating Scott’s probation. It isn’t a happy reunion as Pym and Hope are angry he used their tech and got them on the wrong side of the law. Following Scott’s brief time in the quantum realm Pym believes he can rescue his wife Janet Van Dyne (Michelle Pfeiffer) by constructing a quantum tunnel. To do that he needs specialized parts that he purchases from a shady black-market operator named Sonny Burch (Walton Goggins). During an exchange of money for a part Burch tells Hope he knows who she really is and wants to sell Pym technology to some criminal buyers he’s already arranged. She refuses and uses her Wasp suit to get the part. The fight for the part is interrupted by a person in a suit that can phase through solid walls. Called Ghost for this ability, the newcomer attempts to steal the part but Hope fights Ghost off with Scott’s help. Ghost then goes to the van where Pym is waiting and steals the miniaturized building that houses his lab. Ghost is a woman named Ava (Hannah John-Kamen) whose father used to be an associate of Pym’s at SHIELD. Pym got her father fired and he tried to continue his research on his own. That research was trying to access the quantum realm and an accident killed Ava’s parents and left her comprised of atoms that tear themselves apart causing her constant pain. The trio go to another of Pym’s former partners Dr. Bill Foster (Laurence Fishburn) for help in tracking the lab using energy emissions. Foster and Pym had a bad falling out and after decades apart they still don’t like each other. Ava needs the quantum tunnel to mend her molecules, so she doesn’t die in a few weeks but her needs and Pym’s efforts to retrieve his wife are at odds and they are both running out of time.
Ant-Man is one of those Marvel heroes that on the surface doesn’t seem like a character that deserves his own movie. He doesn’t have the flashy tech of Iron Man, the godlike abilities of Thor, the tragic backstory and green-tinted mayhem of the Hulk, the power, history and patriotism of Captain America and the magical powers of Dr. Strange. Ant-Man can get small (and infrequently very big) and communicate with bugs. Both are useful abilities at times but not exactly the stuff of blockbuster movies. With 2015’s “Ant-Man” Marvel showed how a little guy can be a big hero. Now “Ant-Man and the Wasp” proves the first film wasn’t a fluke. It also helps that this film serves as the palate cleanser after “Avengers: Infinity War.”
The most noticeable aspect of “Ant-Man and the Wasp” is it is far more comedic than most Marvel films. A criticism of “Thor: Ragnarok” and “Guardians of the Galaxy: Vol. 2” was the humor felt forced and at times ill-placed. Moments that didn’t need to be tagged with a joke got one anyway. I didn’t see this as being a problem, but many did. Perhaps the lighter tone of “Ant-Man” means the sequel can get away with more jokes and running gags and there are plenty of both in “Ant-Man and the Wasp.” We get a humorous thread involving closeup magic that weaves through the film. The character of FBI agent Jimmy Woo, played by Randall Park, gets some fun moments every time he’s on screen. And the thief of the film is Michael Pena as Luis, Scott Lang’s former cellmate and now business partner in a security firm run by ex-cons that’s called X-Con. Pena has the gift of a motormouth and that is put to good use in a scene where Burch and his henchmen give Luis a truth serum to find where the lab is located. It is a very funny scene of Luis recounting how he met Scott and his history with Hope. Seeing his words being acted out by Paul Rudd and Evangeline Lilly is one of the film’s high points.
The light and comedic acting of Paul Rudd is also a joy to watch. Rudd is a naturally calming presence in nearly every film he’s in. In scenes where his character is stressed and in danger Rudd manages to play the role in a way that says, “I got this” even if it turns out he doesn’t. Rudd is credited as a writer on both films and his humor and goofy charm can be seen throughout the script.
All this lightness also means “Ant-Man and the Wasp” is largely inconsequential to the Marvel Cinematic Universe. Where the events of the movie occur in the timeline isn’t clear until the mid-credits scene which places it as happening just prior to “Avengers: Infinity War.” This brief scene is far more important to the MCU than anything that precedes it. It also offers a clue to how Ant-Man could affect the action in “Avengers 4.” Perhaps the movie gives us a future hero that can be folded into Phase 4 and it shows just how useful enlarged ants can be in a construction project and as security guards; otherwise, “Ant-Man and the Wasp” is like that little bit of sherbet you get between courses at finer restaurants: It’s a palate cleanser following the events of “Avengers: Infinity War.”
While it isn’t exactly a glowing endorsement of the film it isn’t a severe complaint either. The MCU now totals 20 released films with two more in the immediate future: “Captain Marvel” and “Avengers 4.” Not every movie that’s part of the MCU has necessarily been instrumental in expanding the overarching story that leads to the ultimate clash with Thanos. I would argue “Iron Man 2” and “Thor: The Dark World” were just two of the mostly stand-alone adventures for these characters. Watching these heroes deal with their own issues can be as enjoyable as watching them band together and fight a demon bent on destroying half the life in the universe. “Ant-Man and the Wasp” gives us a brief respite as we prepare for what will likely be yet another emotional roller coaster in “Avengers 4.”
“Ant-Man and the Wasp” is rated PG-13 for sci-fi action violence. The shrinking and growing technology is used to flip cars and cause motorcycle crashes. Hope Van Dyne’s Wasp costume has blasters that shoot out fire and cause a non-lethal impact. Wasp, Ant-Man and Ghost are proficient fighters in hand-to-hand combat. Ghost can also put her hand inside people and injure or kill them. There is some gunplay, but no one is shown getting shot. Foul language is scattered and mild.
It may not have the same impact as other MCU films but “Ant-Man and the Wasp” is a lighthearted romp with a little romance on the side. Make sure you stay in your seat during the credits. The mid-credits scene is the one you want to watch while the post credits is just a joke that you can watch if you’re are a completist. Here’s a little spoiler: You’ve already seen part of it in the trailer. The film is fun and, at its heart, is about families being torn apart and the struggle to put them pack together. Perhaps it’s a little deeper then I gave it credit for.
“Ant-Man and the Wasp” gets five stars.
This week there are a couple of new films that could both be considered cartoons…or cartoonish. I’ll see and review at least one of the following:
Hotel Transylvania 3: Summer Vacation—
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