Him and Mother (Javier Bardem and Jennifer Lawrence) live in a secluded home in a clearing surrounded by woods. The wife has been renovating the home after a fire severely damaged it. Him is a writer and has some popular books published but is suffering writer’s block. He hopes the seclusion will help the ideas flow. One day a stranger knocks on their door. This stranger is Man (Ed Harris) who says he was sent to the home by locals that thought it was a bed and breakfast. Him insists that since it is so late Man stay the night but Mother thinks inviting a stranger to stay in their home is a bad idea. Showing Man around their home Him brags how Mother has redone everything by herself. In his office, Him shows Man his prized possession: A fragile crystal orb that came from the remains of his burnt home. Man wants to hold it but Him says no and puts it back on its display stand. Not long after Man arrives Mother begins to feel ill. She puts some medicinal powder in a glass of water, drinks it and feels better quickly. Man has some sort of illness that causes coughing fits that keep him and Him up all night; but the next morning both act as if they had a good night’s rest. Later that day the Man’s wife Woman (Michelle Pfeiffer) arrives and Him invites her to stay as well. Soon Woman gets drunk and begins asking rude and personal questions of Mother. Despite being told to stay out of the office Him writes in, Man and Woman enter and break the crystal orb driving Him into a rage and orders Man and Woman to leave his home. Not long after, Man and Woman’s Oldest Son (Domhnall Gleeson) and Younger Son (Brian Gleeson) arrive to argue over the Man’s will and what will happen to his money. The two sons fight and Oldest Son kills Younger Son. Then things get weird.
Darren Aronofsky’s “mother!” is a challenging movie to watch and it’s challenging to figure out what it means. It’s a film that is so open to interpretation it could be accused of meaning nothing. As I write this I am just about 24 hours away from leaving the theatre and I am still questioning what I saw. Is that the mark of a good film? I don’t know. It certainly is the mark of an Aronofsky film as I have seen three of his other works over the years: “The Fountain,” “Black Swan” and “Noah.” If nothing else, Aronofsky is a film maker that doesn’t spoon-feed his audience. The images are up on the screen and what you do with them is entirely up to you. While it is an interesting experience I can’t say it was particularly entertaining.
In doing some reading online by other critics and movie websites, it appears that “mother!” is a biblical allegory for God’s creation of the Garden of Eden and Man’s fall from Grace. Once it is pointed out to me the correlation is painfully obvious. It may also be a metaphor on how man is given the beautiful gift of the Earth but uses its resources and fouls the air, land and water and must be punished for his arrogance. That fits as well.
“mother!” is a whirlwind of meaning with layers of symbolism stacked one on top of the other. It is almost sensory overload as you watch the film as it often keeps a very tight close up of Lawrence’s Mother as she moves from one room to the next doing chores or looking for Bardem’s Him. Lawrence’s face is frequently a blank slate in the early parts of the film. Only later does her face contort into confusion and pain. Lawrence is probably the best thing about “mother!” Her performance is the anchor and the access point for the audience. It may not be the doorway to understanding but Lawrence’s Mother is the most human and relatable of all the characters. She is a dutiful wife, a caring and hard-working homemaker and a skilled craftsperson bringing a burned-out shell of a home back to life. She has poured so much of herself into the renovation she can even feel that life pulsing through the walls. What do these scenes mean as she touches the walls, closes her eyes and sees and feels the heartbeat of the house? I haven’t a clue but Lawrence’s performance made me want to find out.
There are parts of “mother!” that are beautiful to look at and some of that dare you to keep watching. Late in the film one of the characters is being beaten. The impacts of the fists and feet seem to jump off the screen and pummel you in the audience. There are more scenes of violence and chaos as the world of “mother!” descends into utter madness. Is this more symbolism for a world consumed with greed, lust and envy? The biblical allegory could be stretched further into Genesis with the Great Flood washing away the evil of humanity. You’ll have to see the film yourself if you want to see exactly what I’m talking about.
The real question: Is “mother!” entertaining? For me it wasn’t. I was always interested in what would happen next and enjoyed some of the weirder and more twisted things in the film but by the end I was left with the question of if what I’d just witnessed improved my life and/or mood. Did it elevate my humanity or relieve any stress? I can’t say that it did. The ending is far from satisfying and left me wondering what exactly the point is? Is “mother!” art merely for art’s sake? If so, that’s fine with me but having experienced it I can’t say I have been enlightened or improved in any way.
“mother!” is rated R for some sexuality, nudity, language, strong disturbing content and strong violent content. We see a person alive and burning. Several people are shown shot in the head. There are some stabbings and at least one beating. General riot-like mayhem occupies most of the last 20 minutes of the movie. There are a couple of explosions. There is a brief scene of Javier Bardem getting out of bed nude. There is also a brief scene of Jennifer Lawrence’s breasts exposed but it is in a violent context. The remains of a baby that has been ripped apart are briefly shown. Foul language is scattered.
For the previous 1100 words I have pontificated on the meaning and qualities of “mother!” but the question remains: Is the movie any good? My honest answer is I don’t know. While it kept me interested for the full two hours I can’t say I enjoyed the movie; but I didn’t hate it either. This is one of those rare films that I simply cannot get my head around. It is an enigma wrapped in a riddle and I am not smart enough to work my way in between the words, the images and the meaning. In short, “mother!” has me stumped.
Simply because I don’t know what else to do, “mother!” gets three stars.
This week three new films open and I’ll see and review at least one of the following:
Kingsmen: The Golden Circle—
The LEGO Ninjago Movie—
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