Henry Brogan (Will Smith) is considered one of the best government assassins there’s ever been. He’s 51 and beginning to be worn down by his job, having nightmares, missing his targets (still killing them, but not hitting them where he wants) and can’t look himself in the mirror. After he completes his last job, he meets with a former associate that informs him his target was not a biochemical terrorist working for the Russians, but a biochemical researcher working for the US. Henry has been given bad information by his handlers to hide a program run in conjunction with the government and a private security firm called Gemini owned by Clay Varris (Clive Owen). Henry and Clay served together in Special Forces and Clay offered him a job when he started Gemini. Henry declined. Now Gemini is doing a great deal of work for the government and Clay has a side project he’s been working on for over 20 years. Clay meets a young woman working at the dock where he keeps his boat. Her name is Danny (Mary Elizabeth Winstead) and he quickly figures out she is a government agent sent to surveil him. When Henry’s former associate is murdered and a kill team is sent to his house, Henry knows he is part of the cleanup operation. He gets Danny and together they run away. Henry contacts another former Special Forces member, Baron (Benedict Wong), a pilot with a knack for getting exactly what is needed. The trio fly down to Colombia to stay in one of Baron’s safe houses, but an assassin has found them. Henry leads the killer away from Danny and Baron. While he’s having a running battle with the killer, Henry gets a look at his assassin and is shocked to see an overwhelming resemblance to himself. The killer is only scared off by the local police. Danny collects a ballcap the assassin was wearing as well as samples of blood from Henry’s injuries. Calling in a favor from a friend at a genetics lab, the samples are tested, and the DNA is identical. The assassin is a clone of Henry.
Director Ang Lee has had an eclectic career. He has made everything from “Sense and Sensibility” to “Hulk” to “Brokeback Mountain” to “Crouching Tiger, Hidden Dragon” to “Life of Pi” and now “Gemini Man.” While the degree of commercial success has varied widely, Lee has always turned out technically well-made movies, often pushing the boundaries genre and innovating the way films are made. There was no reason for the war drama “Billy Lynn’s Long Halftime Walk” to be shot in 3D with an ultra-high frame rate of 120 frames per second, but he did it (a mixed bag and I gave it two stars out of five). Lee believes the medium needs a kick in the pants and must embrace technological advances to produce the best looking and most entertaining products for viewers. He’s gone the same high frame rate and 3D route for “Gemini Man” and has produced an interesting looking but predictable film.
The visual trick of “Gemini Man,” Will Smith fighting a 25-year younger version of himself, mostly works. When Junior, the clone, is on screen with Clive Owen or in a shot by himself, the digital artistry of scrubbing all the decades from Smith’s face and making him look like a certain Fresh Prince, works pretty well. A scene where Junior cries as he’s confronting his father has all the emotional resonance one can expect from an action movie. The pain of coming to grips with your created existence for the first time and realizing everything your father told you is a lie is etched into the de-aged face of Smith in a believable way. I was looking for anything that would give the performance away as a computer creation, but there wasn’t a clue. Had I been unaware of Smith and his age, I would have believed I was watching a talented young actor express the pain of learning his life was a fiction.
That same praise cannot be given to every scene in the film. At times, the younger Smith looks vaguely Asian. His eyes are narrower, and the outside corners appear to be angled slightly upward. There are other times when both versions of Smith are onscreen when there are some glitches in the face that couldn’t be edited out. The fight in the catacombs under a church is the longest time the pair are onscreen and battling. There are moments when the younger Smith’s face appears to be a mask that’s slipped out of place or contorts. These are momentary and so fleeting that most viewers will never notice. However, other scenes are more obvious and can’t be blamed on fast action movements.
The film’s action scenes are stellar. The motorcycle chase in Colombia is something that may make the added cost of 3D worth it (I saw the 2D version). Some of it is shot POV with bullets and cars dodged by the slimmest of margins. Movie reviewer Alan Cerny posted on Twitter, “GEMINI MAN as a movie is just okay. GEMINI MAN as a 3D 120fps experience? Whoa. That motorcycle chase is next f-ing level. If this is the future of action cinema, count me in.” “Gemini Man” is a film that may need to be seen in 3D and at the highest frame rate possible to judge its quality. Director Lee has complained most cinemas are unable to properly display the movie as it was intended since they aren’t set up for 120 fps. I can understand his argument, but maybe he should make films based on the technology that’s most available. If he wants to make films that must be displayed at five times the normal frames per second, maybe he needs to invest in a projection system that can handle multiple FPS and sell it to theaters. He’d likely make more money than making movies.
“Gemini Man,” for all its filmmaking wizardry, is a standard action thriller with a core group of appealing protagonists and a slimy antagonist that oozes evil from every pore. Once the clone is introduced, he’s shown to be a sweet kid that is a slave to the programming his “father” instilled in him. The story progresses as these types of films always do, with our heroes trying to keep one step ahead of the bad guys then rallying for a (spoiler alert) victory in the end. There is a third act twist I didn’t see coming, but that’s my bad, as there’s always a surprise the evil villain keeps hidden away until the very end. It’s also easy to guess which of our heroes isn’t around when the credits roll. “Gemini Man” plays by all the rules despite being mostly about a bad guy that ignores all the rules to win. There’s nothing new to see here.
“Gemini Man” is rated PG-13 for violence and action throughout, and brief strong language. There are numerous shootings, stabbings and beatings throughout the film. Early on, we see a character has had most of their teeth beaten out of them for information (it isn’t as gory as it sounds). There is a chase that shows some unique uses of a motorcycle as a weapon. A character is shot in the chest three or four times by a shotgun while they are on fire. Foul language is scattered and there is one use of the “F-bomb.”
The end of “Gemini Man” is far too sweet and ignores all the death and destruction that precedes it. This didn’t really come as a big surprise as the film sets up a fatherly relationship between both versions of Will Smith and the script from David Benioff, Billy Ray and Darren Lemke takes no leaps into new territory or an imaginative approach to the subject. It won’t burn your eyeballs out, but “Gemini Man” is at best average.
“Gemini Man” gets three stars out of five.
This week, I’ll be reviewing “Zombieland: Double Tap” for WIMZ.com.
Also opening this week:
Maleficent: Mistress of Evil—
Listen the podcast I do with my wife, Comedy Tragedy Marriage, where we take turns each episode selecting a movie or TV show to watch, then discuss it to see why we love it, like it or hate it. Find Comedy Tragedy Marriage wherever you get podcasts. Follow me on Twitter @moviemanstan and send emails to firstname.lastname@example.org.