Reviews of “Jumanji: Welcome to the Jungle” and “The Shape of Water”

Jumanji: Welcome to the Jungle

Four high school students are sentenced to detention for various infractions. Their punishment includes cleaning out an old storage room. There they find an old video game system with one cartridge of a game called Jumanji. The four plug in the game and select their characters. When they push start the game begins to glow and the students are sucked inside. When they arrive they find themselves in the bodies of their avatars: Dr. Xander Bravestone (Dwayne Johnson), Professor Shelly Oberon (Jack Black), Franklin “Moose” Finbar (Kevin Hart) and Ruby Roundhouse (Karen Gillen). Each has a unique set of skills, strengths and weaknesses and each has three lives. A non-playable character named Nigel (Rhys Darby) tells the players about how the land of Jumanji is under a terrible curse after an explorer named Russel Van Pelt (Bobby Cannavale) stole the Jaguar’s Eye from a statue giving him control of all the animals in the land. The players must put the Eye back where it belongs in order to win the game and exit. They must also do so without losing all three of their lives otherwise they will really die.

“Jumanji: Welcome to the Jungle” is a perfectly decent action/fantasy/comedy. Its appealing cast delivers high-octane performances in a video game scenario with plenty of stunts and special effects to keep the story, if you want to call it that, moving. The two hour run time of “Jumanji: Welcome to the Jungle” goes by quickly and the film has little in the way of slow spots. So why don’t I care more about the characters or the outcome of the film? Maybe because I know there’s going to be a happy ending with no surprises (there is and there aren’t). Perhaps it has something to do with cynically slapping “Jumanji” on a movie that has very little to do with the original film. Whatever the reason, “Jumanji: Welcome to the Jungle” is a perfectly fine diversion from life but it doesn’t really have a reason to exist.

I suppose it could be argued the movie does encourage the viewer to accept one’s self, including your strengths and your flaws, and live life without fear and regret. It’s a simplistic message but one that younger viewers should hear; but it seems unlikely they will pick up on this message when the movie is much more focused on the wish fulfillment of its primary character going from weak nerd to super buff hero. He does still have the fears and lack of confidence of his real world counterpart but that falls to the wayside as he gains more experience in the game.

All the avatars retain their real world personalities; but the big and strong high school football star and the pretty and popular girl both become weaker and less attractive characters while the nerd and the social outcast gain strengths and abilities they lack. The weak become the strong and the leaders become followers. The transition is difficult for them all but through living life on the other side of the physical and emotional equation all the characters learn how to accept others for what they are. With a bit more focus on the characters and their journey the film might have had a bit more impact. With the spotlight on the action and the humor the movie packs less of a punch.

“Jumanji: Welcome to the Jungle” is rated PG-13 for some language, adventure action and suggestive content. Various faceless minions are killed in numerous ways including exploding boomerangs, beaten to death and being kicked off motorcycles. The main characters die from being eaten by a hippopotamus, run over by a herd of rhinoceroses, pushed off a cliff, bitten by a snake, eating a piece of cake, shot in the chest and attacked by a jaguar. One character is killed when a scorpion crawls out of the mouth of the bad guy and stings him. The suggestive content is limited to a brief reference to touching a woman’s breast and an attempt to distract some guards with sexy dancing. Foul language is limited and mid.

I didn’t hate “Jumanji: Welcome to the Jungle” despite what it might sound like. The movie has some funny moments and a cast that puts their all into their roles. Younger viewers will probably like it just as the young kids behind me seemed to. They were verbally reacting to the events on screen and one youngster was kicking the back of my seat during the more stressful moments (not so much that I had to ask him to stop, but occasionally). The film clearly has an audience and it is well made. It suffers in my eyes for being so utterly vapid.

“Jumanji: Welcome to the Jungle” gets four unenthusiastic stars.

The Shape of Water

It’s 1962 and the Cold War is at its peak. Eliza and Zelda (Sally Hawkins and Octavia Spencer) work in a government research facility as part of the maintenance crew. Eliza is mute. She has scars on both sides of her neck and was found as a child on the banks of a river and raised in an orphanage. Eliza speaks via sign language and Zelda is her interpreter at work. Her neighbor Giles (Richard Jenkins) also speaks sign language. He is a graphic artist and works from home. A new project begins at the lab lead by Richard Strickland (Michael Shannon) involving an amphibian creature referred to as the Asset (Doug Jones). Strickland considers the Asset to be an abomination and treats it cruelly. Eliza sneaks into the lab when no one else is around and visits with the creature, feeding him hard boiled eggs and playing him music. Eliza even teaches the Asset a few words of sign language. Dr. Robert Hoffstetler (Michael Stuhlbarg) is the lead scientist on the project but he is also a Russian agent. Strickland and the government want to see if they can figure out the Asset’s anatomy by dissecting it and somehow apply that to helping astronauts breathe. Hoffstetler’s Soviet handlers instruct him to kill the creature and dispose of it to prevent the Americans from getting an upper hand in the space race. Eliza knows of the Asset’s impending death at the hands of the Americans and hatches a plan to break him out of the facility with the help of Giles.

“The Shape of Water” is filled with little moments. Some are important to the story while others are like spackle: They fill in the holes and provide a full and complete canvas for director and co-writer (with Vanessa Taylor) Guillermo del Toro to create a beautiful piece of art. That is what “The Shape of Water” is: A moving portrait of moments that tell a compelling story with a unique visual style.

The little moments that build “The Shape of Water” are both beautiful and ugly: Moments of poetry and pornography. Visions of music, dance and love along with racism, sexism and homophobia, all combining to create a stew of sweet and sour that becomes a satisfying meal of beauty and emotion. It is amazing that a movie about a mythical creature living in the rivers of South America and dragged into the dingy world of the Cold War United States can evoke such powerful emotions and be presented so beautifully. It is an amazing piece of filmmaking by a director hitting his prime right before our eyes.

The performances in “The Shape of Water” are equally beautiful. Sally Hawkins is mesmerizing as Eliza. She is able to convey more with a look than most actors can with pages of monologue. Some might consider playing a mute to be confining but Hawkins is able to express more emotion and thought with an expression than you might think possible. Her use of sign language is subtle and beautiful until she becomes emotional; then her movements become emphatic and almost violent. Hawkins expresses her feelings and thoughts through movement in a kind of ballet that holds the eye and demands the viewer pay attention. It is an amazing performance.

Equally amazing is the work of Doug Jones as the Asset. Encased in a full-body latex suit and head gear, the only way Jones can perform is with his body and movements. He, like Hawkins, is able to express a great deal with just a slight nod or the way he breathes. Jones has been the go-to creature guy for del Toro in several of his films including “Pan’s Labyrinth,” “Crimson Peak” and both “Hellboy” movies. Seeing his performance in “The Shape of Water” makes clear why Jones is so popular with del Toro and other directors looking for the perfect actor to bury under tons of makeup and prosthetics. According to his Wikipedia page, Jones has studied mime and is a contortionist with both of those skill sets coming in handy in his creature career. It’s a tribute to just how good Jones’ performance is that at a certain point you no longer consider the Asset a creature. Jones is able to show you he is more of a child lost in a world he cannot understand. That is the mark of a great performance.

There are so many wonderful actors doing amazing work in “The Shape of Water” it is difficult to give them all their due credit. Michael Shannon is a scary but sympathetic villain. Richard Jenkins will break your heart with the more we learn about him and how he is just looking for love and a place to fit in. Octavia Spencer is the best friend struggling with a difficult marriage and having to deal with the prejudice of 1960’s America. Michael Stuhlbarg is the enemy but is more of a hero than anyone working for the government. There are more great performances in this movie than you usually find in three films.

“The Shape of Water” is rated R for language, graphic nudity, sexual content and violence. We see Eliza nude on a couple of occasions. We also see her masturbating a couple of times. A character has two fingers bitten off by the Asset and there is a great deal of blood. We also see a couple of characters shot, one is shot in the face and another in the head. We see one of those shot characters tortured for information. Foul language is fairly common but not overwhelming.

I couldn’t stop thinking of “The Shape of Water” for hours after I saw it. A song used in the film, “You’ll Never Know,” would play in my head and I would be close to tears as memories of what I’d just seen would flash in my mind. I can think of no movie that has affected me so profoundly in my entire life. It may sound silly but I thing “The Shape of Water” has made me a better person. See it and allow the film to make a change in you as well.

“The Shape of Water” gets five stars.

It’s the end of the year and the release schedule is a bit thin so I’ll be seeing and reviewing at least one of the following films that are in limited release:

Darkest Hour—

Molly’s Game—

Listen to The Fractured Frame podcast for the latest movie and streaming news. Our next episode will be available on January 8, 2018. Follow me on Twitter @moviemanstan and send emails to stanthemovieman123@gmail.com.

Reviews of “The Secret Life of Pets” and “Mike & Dave Need Wedding Dates”

The Secret Life of Pets

A terrier named Max (voiced by Louis C.K.) has an idyllic life with his owner Katie (voiced by Ellie Kemper) in her apartment in New York City. Everything is perfect until a big, brown, shaggy dog named Duke (voiced by Eric Stonestreet) is rescued by Katie. Max and Duke don’t get along well and Katie leaves for work Max wrecks the apartment thinking Katie will blame Duke. The dog walker takes Max, Duke, a pug named Mel (voiced by Bobby Moynihan), a dachshund named Buddy (voiced by Hannibal Buress) and more pets from the building to the park where Duke grabs Max’s leash and drags him deep into the city. In an alley, the two are confronted by a gang of feral cats led by Ozone (voiced by Steve Coogan) and have their collars and ID tags taken from them. Max and Duke manage to escape the cats but are picked up by animal control officers. Duke tells Max if he goes back to the pound, where Katie adopted him, he will be put down. On the ride to the pound a bunny rabbit named Snowball (voiced by Kevin Hart) is spotted by the officers and they stop to pick him up. They don’t realize it’s a trap as the human-hating Snowball leads a pack of discarded animals of all kinds he calls the Flushed Pets. Snowball, a tattooed pig named Tattoo (voiced by Michael Beattie) and a chameleon attack the driver and cause the animal control truck to crash. Snowball frees a muzzled bulldog that’s part of his gang but plans on leaving Max and Duke behind. Max convinces Snowball they hate humans as much as he does even claiming they killed their owners. Snowball frees the two dogs and takes them into the sewers where all the other Flushed Pets live with Snowball as their leader. Meanwhile, a fluffy Pomeranian named Gidget (voiced by Jenny Slate) that lives across the street from Max and Duke and harbors a secret love for the terrier notices she hasn’t seen the object of her affection for a while and is worried something might have happened to him. She heads to the roof and enlists the aid of a caged hawk named Tiberius (voiced by Albert Brooks). Initially intending to eat Gidget, Tiberius is talked into helping her look for Max. Eventually, she gets Buddy and Mel to join them along with a cat named Chloe (voiced by Lake Bell), Norman the guinea pig (voiced by Chris Renaud) and a parakeet named Sweet Pea (chirps and whistles by Tara Strong) and the adventure begins to bring Max and Duke home.

If you dread taking your children to see “The Secret Life of Pets” because it’s yet another kids movie, don’t worry. The movie knows the only way the target audience sees the film is if a parent provides the ride and the admission fee. The filmmakers have put more than enough humor and action into this animated tale of enemies going on an adventure and becoming friends in adversity to keep the both parents and the children entertained. You’ve seen this story before (perhaps even done better) but the performances from a large cast of talented voice actors and a peppy plot make it worth watching again.

Louis C.K. is not known for his family friendly fare but here he seems to be the perfect choice to voice Max. Sounding at times both like a seasoned New Yorker and a big-eyed explorer seeing the sights for the first time, Louis C.K. brings both a maturity and a sense of wonder to his role. Max is a less than perfect hero in the story, sometimes behaving like a bully toward his new roommate Duke then acting as a big brother or mentor. As seen in his FX show and his standup specials, Louis C.K. is also a person with similar traits and flaws. It seems to the script writers tailored Max to the kind of person the actor is and it works to strengthen the character.

The squeaky voice of Jenny Slate is perfect for the fluff ball of Gidget the Pomeranian. Gidget is both childlike and on the edge of kicking ass depending on what the situation calls for. The stress of looking for Max, her secret love, brings out the wolf in the lap dog and she proves to be much more of an alpha than any of the other dogs in her pack of friends. It is a performance that bursts from the screen in surprising ways.

The true star of the show, though in a smaller, supporting role, is Kevin Hart as the militant bunny Snowball. Hart’s character, machine gun riffs and ridiculous asides almost require Illumination Entertainment to create a spinoff film to explain how Snowball became the leader of the Flushed Pets. It is a story that would likely be filled with more of the character’s easily excitable personality. It could even be turned into some kind of “Escape from Alcatraz” type of story with the Humane Society shelter led by an evil human selling the strays for animal research and Snowball gaining the trust and loyalty of the other animals and staging a massive break out. Transforming Hart’s Snowball from a meek and timid bunny into the fearless leader of the Flushed Pets could be a very funny and exciting story. His character in “The Secret Life of Pets” makes a strong impression every time he’s on screen and I personally would like to see more of him.

The look of the film is amazing with some thrilling camera work that introduces the film. The audience is flown over and through the digitally reimagined New York as we swoop through the skyscrapers and the trees of Central Park. It’s equally impressive when we go underground into the lair of the Flushed Pets. The dank, decrepit surroundings practically make you feel damp and musty. The various settings are designed to add to the mood the story is trying to convey and it works well.

If the movie has a weakness it is the story. It isn’t terribly well fleshed out. The comradery between Max and Duke feels like it develops too quickly and isn’t earned. Perhaps this is a reflection of how animals don’t hold grudges and are quickly forgiving of mistakes and slights; but I believe it is more of a desire by the filmmakers to work in more action and keep the film at a tight 90 minutes. There is little wasted time in “The Secret Life of Pets” but making the story more complete wouldn’t be considered a waste of time.

“The Secret Life of Pets” is rated PG for action and some rude humor. There are chases, a couple of car wrecks, some fights between the animals and the animal control officers and a couple of near drownings. If your child becomes easily upset at such things be forewarned. The rude humor is very mild and consists of a few comments most children won’t understand, the sight of a Chihuahua urinating from excitement at seeing its owner come home and when Snowball drops a few pellets. There is no foul language.

“The Secret Life of Pets” has been compared to “Toy Story” for its story of enemies becoming friends and working to be reunited with the one they love. It is an apt comparison but to be honest, “Toy Story” did the whole separated and reunited thing a great deal better. That’s not to say “The Secret Life of Pets” is not worth watching as the strong group of characters, great voice acting and a great deal of humor and action make the movie fun and entertaining in its own way. Just don’t expect to roll a tear or two at the end.

“The Secret Life of Pets” gets five stars.

Mike and Dave Need Wedding Dates

Mike and Dave Stangle (Adam DeVine and Zac Efron) are always the life of the party. They are often the death of it as well. Their antics and over-the-top flirting have turned many of their family gatherings into disasters with actual property damage. Their father Burt (Stephen Root) insists on the boys finding dates for their sister’s wedding in Hawaii to avoid turning that into another catastrophe. Being young men in the Internet age, they put an ad on Craigslist and it quickly goes viral with the boys appearing on the Wendy Williams Show. Tatiana and Alice (Aubrey Plaza and Anna Kendrick), a couple of recently fired cocktail waitresses and party girls, see the Stangle’s on the show and they plot to meet them. Pretending to be hit by a car as the Stangle’s leave a bar, Tatiana is tended to by Mike who applies one puff of artificial respiration and “revives” her. After the excitement of the accident, the boys get to know the girls better. Tatiana claims to be a school teacher while Alice says she’s a hedge fund manager. Both Mike and Dave believe everything they say and quickly invite them to the wedding where the girls quickly show they are not the mild and refined young women they claimed to be.

There’s a fair amount more to the story of “Mike and Dave Need Wedding Dates” that occurs after the meet cute of the first 10 minutes. It becomes a tale of immaturity, fear of commitment, jealousy, wedding jitters and more. While none of it is terribly deep or meaningful, the movie does manage to wring a deal of humor out of a light and airy premise. It helps to have two charismatic leading men and two sexy and funny leading women plus a cast of talented actors with comedic chops in supporting roles.

Adam DeVine and Zac Efron are perfectly cast as the out of control brothers. Each has a comic energy that is fed by the other making for a duo that is unstoppable. Efron and DeVine should probably plan on working in films together for at least the next decade. Whether they are cast as the closest of friends or the most bitter of enemies, these two seem to be more than able to generate laughs in any situation. While DeVine is clearly the more manic of the two, Efron can more than hold his own.

Pairing them with Plaza and Kendrick merely amplifies the funny as their characters share similarly outsized personalities. While both are party girls, Tatiana is wilder and kind of the brains of the operation. Alice is more childlike and innocent…or at least as innocent as a hard-drinking, drug-taking girl can be. Their efforts at deception are pretty much abandoned once they reach Hawaii and the girls live it up on Mike and Dave’s dime. Plaza and Kendrick make an equally powerful comedic duo and much of the humor in the film is derived from them and their interactions with each other, the brothers and the soon to be married Jeanie Stangle, played to perfection by Stephanie Beard.

The supporting cast turns the time in Hawaii into a truly hilarious experience. There are too many funny bits to recount here; however, I probably laughed the most during a scene where Jeanie is given a “special” massage by a massage therapist named Keanu played by Kumail Nanjiani. Slipped some extra money by Alice, Keanu provides perhaps the funniest massage in cinema history. It also proves to be kind of a turning point in the film and sets in motion a great many plot points that all come to a head later.

The movie is filled with very funny bits of business that are brief but still cause a laugh. These often build on one another until the film delivers a big laugh to end the scene. It is probably a formula that all comedies employ but “Mike and Dave Need Wedding Dates” do a better job than most.

Like “The Secret Life of Pets,” “Mike and Dave Need Wedding Dates” comes up a bit short in the story department and for oddly similar reasons. Much of the redemption found by characters late in the film doesn’t feel earned or legitimate. I don’t want to give away the ending but it won’t surprise anyone that everything works out. This is the kind of film that doesn’t want to challenge your notions of the “Happy Ending” and makes sure all slights are forgiven and all relationships are solid by the time the credits roll. It could have left a few things up in the air or a couple still broken up by the end but I suppose they didn’t want to break any of the romantic comedy rules this film lives by. Fortunately, the laughs more than make up for the predictable story.

“Mike and Dave Need Wedding Dates” is rated R for crude sexual content, language throughout, drug use and some graphic nudity. There are discussions of various sex acts in parts of the film. The crude names of porno movies are also said out loud during one scene. We see the ladies smoke pot a couple of times as well as a scene where Ecstasy is taken with somewhat disastrous results. We see a nude man in profile for a lengthy period of time. We see a naked breast during a fight scene and full frontal nudity of one of the female characters. Foul language is common throughout the film.

While “Mike and Dave Need Wedding Dates” breaks no new storytelling ground it does provide a huge number of laughs. That seems to be especially well timed considering everything that is getting the most attention in the news. While the movie has not exactly been a darling with the critics it did provide me with a great deal of entertainment practically from the time it started to deep into the credits where some outtakes were shown. It may not be art but it is funny and sometimes that’s enough.

“Mike and Dave Need Wedding Dates” gets five stars.

This week your choices include some ladies who ain’t afraid of no ghosts and a fearless undercover drug agent. I’ll see and review at least one of the following:

Ghostbusters—

The Infiltrator—

Follow me on Twitter @moviemanstan and send emails to stanthemovieman@comcast.net.

Review of “Central Intelligence”

Calvin Joyner (Kevin Hart) was the king of his high school: Lettering in various sports, always the lead in school plays, homecoming king and voted Most Likely to Succeed. He even had a cool nickname: The Golden Jet. On the other side of the popularity scale was Robbie Weirdicht (Dwayne Johnson). Overweight, with no friends and the target of bullies like Trevor (Jason Bateman) and his gang, Robbie’s only claim to fame was being thrown naked into the gym during the year end assembly in front of the entire student body. The only person nice to him that day was Calvin who gave Robbie his letterman jacket to cover up. Twenty years later, Calvin is married to his high school sweetheart Maggie (Danielle Nicolet). Calvin is an accountant and feels like his life since high school has been a waste so he doesn’t want to go with Maggie to their 20 year high school reunion. Calvin receives a Facebook friend request from someone named Bob Stone who turns out to be Robbie Weirdicht. He wants to meet with Calvin for a few beers and talk over old times. Calvin is shocked to see Robbie is muscular and strong as an ox. He is also surprised to see his formerly fat and timid school mate take down four bullies who want to start some trouble at the bar. After they leave the bar, Bob asks Calvin to go online and look over some payroll issues he’s having from his previous job. Calvin notices it isn’t payroll information but what looks like an auction of some sort. Suddenly several security warnings pop up and Bob “accidently” spill a beer on Calvin’s laptop, shorting it out. The next day, CIA agent Pamela Harris (Amy Ryan) shows up and informs Calvin that Bob is a mentally unstable former agent that killed his partner Phil (Aaron Paul) and stole codes for all of America’s spy satellites. The auction site Calvin went to, and informed the CIA of his location, is where Bob is selling the codes to the highest bidder which will blind US intelligence of terrorist activities. Bob shows up at Calvin’s office and explains a terrorist named the Black Badger is responsible for killing his partner and stealing the codes and Bob needs Calvin’s help to clear his name and keep the codes out of dangerous hands. Calvin wants nothing to do with Bob or the CIA but circumstances on both sides work against him.

I didn’t have much hope that “Central Intelligence” would be funny or entertaining. It seems like Kevin Hart has played this “fish out of water” role in several of his movies. Dwayne Johnson is the latest king of big, dumb action movies. Putting them together in familiar roles may make great marketing sense didn’t exactly scream “quality entertainment ahead.” Fortunately, I was wrong as “Central Intelligence,” while not a smart comedic action film, does manage to find enough humor in the chemistry between its lead actors to overcome some dead spots and a plot that telegraphs many of its moves well in advance.

If you are hoping to be surprised by the events of “Central Intelligence” you are going to be disappointed. A key plot twist is telegraphed well in advance simply because of who is cast in a particular role. The story follows a conventional line that finds our heroes reluctantly thrown together, working toward a common goal, pulled apart by mistrust then reunited in triumph. Anyone considering that to be spoilers must have been in a cave and not watched a movie in the last 50 years. Practically every buddy comedy (not to mention romantic comedy and other films) has followed a very similar path. I can’t blame director and writer Rawson Marshall Thurber and writers Ike Barinholtz and David Stassen for keeping things simple. They aren’t trying to recreate the art form; they are trying to crank out a basic Hollywood action comedy. Since they have two of the biggest moneymakers in each of those genres working together it makes sense to do what’s worked in the past.

The other aspects of the story like Calvin not wanting to go to the class reunion, his feeling like a failure and his mildly troubled marriage tend to bog down the parts of the movie we are actually interested in, specifically the spy stuff. I’m not sure why film makers feel the need to humanize everyone in stories like these with the more mundane aspects of life and family. If we wanted to watch a family drama we’d tune in Lifetime or OWN on cable. Keep the focus on the action and adventure and leave the emotions to the soap operas.

Half the script seems to have been improvised on set by Kevin Hart. Several of his scenes, mostly involving him trying to talk his way out of the mess he finds himself, are just Hart firing off various lists or giving reasons things are not as they seem. Hart is gifted with a motor mouth and a quick wit so some of these scenes actually work. Sadly, others feel like they drag on far too long and aren’t that funny. These are the dead spots that threaten to derail the film. Fortunately these scenes are brief and are quickly replaced by far more interesting material.

Many of the bigger laughs come from the very physical nature of Dwayne Johnson. His character is for part of the film a walking joke. He wears a unicorn t-shirt and a fanny pack, both of which he is very proud. This is juxtaposed with Johnson’s strength and size in the fight scene early in the film where Bob takes on four tough guys at the bar. Johnson towers over Hart and that size difference is played up frequently, such as when Johnson is cradling Hart like a baby. The film probably depends too much on the physical difference between its two stars but that dichotomy frequently works.

“Central Intelligence” is rated PG-13 for crude and suggestive humor, some nudity, action violence and brief strong language. There are some mildly crude jokes scattered through the film but none are particularly memorable. We see the bare backside of the body double playing the fat version of Dwayne Johnson’s character (Johnson’s face is digitally stitched on to the other body). There are numerous gunfights and fist fights throughout the film. One scene shows Johnson’s broken finger after he is tortured for information by the CIA. There is very little blood and only a small amount of gore at the very end of the film. Foul language is relatively mild but frequent.

When I go to a comedy that, based on the trailer, should be funny, I often enter the theatre primed to laugh and expecting a good time. Preparing to watch “Central Intelligence” I told myself to tamp the feeling down and accept the film for what it is, not what I expect it to be. I was surprised to find it was what I expected it to be: Not the most original action comedy in the world but with enough humor and stunts to keep the experience from becoming a bore. That’s really all I could ask for.

“Central Intelligence” gets four stars out of five.

This week there are four new films including a sequel long expected and finally here. I’ll see and review at least one of the following:

Free State of Jones—

Independence Day: Resurgence—

The Neon Demon—

The Shallows—

Follow me on Twitter @moviemanstan and send emails to stanthemovieman@comcast.net.